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T. E. Lawrence to Henry Williamson
Ozone Hotel,
Bridlington,
Yorks
11.xii.34
Dear H.W.
I have so much the
better of you: for when I want a talk, it is just putting out an arm and
taking a book from my shelves. That's as it should be, at least; but
just now I live in this house with a jesting name (here to watch the
refit of ten R.A.F. boats for next season's work on the bombing range)
and for a word with you yesterday I had to go to York and lay out three
days' pay on The Linhay... which I have been dipping into, with
satisfaction, all this too rough Sunday. Too rough for a walk from
lodgings. No clothes, poor fire for drying.
What a sentence for
No. 1! Do you find it hard to begin books? Let me take down your hackles
by two quotes from The Linhay: bad sentences. P. 67 'how heat and
the floating algae . . . takes'.... P. 36 'many old bucks are caught in
gins which otherwise would eat young rabbits.'
It isn't fair, for I
would like to write like you, easily or grudgingly but copiously, able
to make a sentence of all you see and do, with a catching intimate easy
speech, like a man in slippers. For a mannered writer, you have the best
manners in the world.
Don't vex yourself
over Walpole or Shanks or Hanks or Banks: or vex yourself only because
they discourage your book-buyers. Or do they? The best way to sell a
novel was to persuade the Bishop of London to preach against it. I can
conceive Hugh Walpole being second-best. I fancy writers get so wrapped
up in their own sort of writing, that they find all variations from it
bad. At least, they seem to me to make poor critics of contemporary
stuff. You write almost disarmingly well. You write better than Richard
Jefferies, splendid fellow though he was. Better for me, that is: I feel
more heart and see less eye, in you. You look for the unusual, he for
the average. Of course he had an awful life. No Alvis, no country
contentment, or comfort, anyhow. Few concerns aside from earning, and no
war to light his background. We learned a lot in those years, which
makes us immemorially older and wiser than the old or the young.
Stop burbling? All
right, I'll stop. Let's get back to history. I am discharged from the
R.A.F. (my life, almost) next March: and cannot make even the ghost of
plans for afterwards. There is my cottage in Dorsetshire (Clouds Hill,
Moreton, Dorset) on the heath just north of Bovington Camp, between
Dorchester and Wareham. I'll have to go there for my savings have not
been very successful: I'll have only 25/- a week. So I must sit under my
own roof, and do nothing till I want to do something. Is that a
programme?
I hope an Alvis may
visit me, for if you ever go to England, via S. Dorset is not much
further than via the Plain. In my cottage is no food, and no bed. At
nightfall there is a flea-bag, and I lay it on the preferred patch of
floor in either room. The ground-room is for books, and the stair-room
is for music: music being the trade-name for a gramophone and records.
There are five acres of rhododendron and fires every evening from their
sticks. It sounds to me all right for living, but then so does your
valley - yet you often throw yourself angrily away from it. Well, we
shall see. But bring your own food. I shall have no cooking. It smells
in so small a house. A tiny house. No water near, alas!
As I said, at the
beginning, I have the advantage of you, for when I want a word with
Henry Williamson, it is only the stretching of an arm to a shelf. If I
want him objective, there’s Tarka: subjective, there’s The
Pathway or Falcon or Dream of Women. I feel greedy, at
having so much of so many people (though not the half I should have had.
Books have gone from my hands wholesale while my back was turned. My
cottage holds only the rags of a collection) and at liking them so much
without making a return. (By the way, did I ever lend you the typescript
of my R.A.F. book? Surely I did, poor return though it is). Sometimes I
sit on my chair amidst the books, afraid to open any of them, not having
earned it. If only I could write like I read.
Stop burbling again?
All right, but this sea rushing and sliding in my ears won't stop. My
room is a tower-room, over the harbour wall, and the waves roll all day
like green Swiss rolls over the yellow sand, till they hit the wall and
run back like spinning rope. I want to walk out in the wind and the wet,
like at Clouds Hill, and can't, for my landlady's sake. Keep cheerful.
And let us meet after my R.A.F. life is ended.
Yours
T.E.S.
Editor's note: on internal evidence, this letter is probably mis-dated.
Also, Williamson's reply is dated 10 December.
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