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T. E. Lawrence to his family
Dinan
Thursday, 9 August, 1906
Rode with Scroggs to Lehon today,
after coming here without incident except a puncture on quay which I
mended while the 'permit' was obtained. The scenery of Rance from the
lock to Dinan was magnificent; we rode of course along the towpath which
had excellent surface, free from flints. Lehon is very interesting: the
ruins are of course very ruined, but the whole is instructive, as an
example of a Norman castle, without any later additions. We climbed all
over the remains, and I got stuck on a tower, and had a 30 ft. climb
down a wall. It was quite safe, and impressed Scroggs greatly as did our
"dejeuner" at the Grand Hôtel de Europe in Dinan. Menu was Sardines,
Cold Meat, Eggs, Hash, Fowl, Salad, Desert: what will the Dîner be? I
had some of everything!
Lehon Abbey (more properly a Priory)
is splendid: the Church is fine, but too much restored: the effigies in
it were very interesting. One was to a female, Tiphaine du Guesclin,
daughter of the famous Constable; who was so named after her mother. The
effigy lay on the North Side of the Presbytery, and was most remarkable.
She died in 1417 the widow of Jean V de Beaumanoir. She was dressed in a
jupon, which buttoned down the front with 22 circular buttons; the
button-holes were yet quite clear, slightly puckered round her waist,
which was exceedingly small, and tightly drawn. The front of the jupon
terminated in a tassel, with large bow. The jupon closed quite close
round her neck, forming a low collar like the modern military tunic.
The sleeves (no man's jupon ever had sleeves), were fairly full and
descended to the wrist; underneath it was seen the edge of the
vambrace. She wore genoullières, with square plates beneath them,
jambs and sollerets, of three large and heavy laminated plates. She
also had rowel, spurs, and her feet rested on an eagle expansed
bearing a shield (billets or) on the front, held in its beak. The
eagle was very faithfully and clearly drawn, and the claws drawn very
true to nature. At the sides of the effigy were six other shields,
bearing the billets or; the arms of her husband the count of
Beaumanoir. The eagle expansed is the badge of the Duguesclin family.
Her hands were bare, and finely shaped. Her head was resting on a
cushion, with a corded tassel at each corner; her hair, confined by a
narrow fillet alone, flowed in two curls one outside each ear, while
the rest was cut short and parted regularly down the centre. Her face
was perfect, without any mutilation, and exhibited the calm repose and
angelic purity which the mediaeval sculptor knew so well to blend,
with a certain martial simplicity and haughtiness. The figure is
carved from white stone, and is yet perfect; it is about five feet six
inches in length, and, in its combination of female dress and armour,
is so far as I know unique. Opposite her on the other side of the
church lay her husband assassinated in 1385. He is chiefly remarkable
for two gigantic curls, each supported by a sturdy angel. He has a
beard, and wears jupon gorget pauldrons, brassarts, coutes, and a
large sword. His feet of six lames were resting on a lion. He bore a
shield with nine billets or. Two almost identical figures of Lords of
Lehon (14th cent.) were interesting as having slipped off their
gauntles, and coifs de mailles, just as Septvans whom they greatly
resembled. One of them had his feet covered with scale armour. They wore surcoats, and demi-jambs. A Prior of the
14th cent. has a beautiful canopy, and has his wrists crossed. Raoulin
de Redon wears a Tabard, quarterly. Two ladies of about 1440 complete
this wonderful series, and one of these effigies to a lady was the
most perfect example of artistic merit that I have seen in effigies.
It would have adorned the Parthenon. Her face was perfect, and her
dress most beautifully arranged: I am going out to try to obtain
photographs of these effigies, and to explore the furniture shops: no
time for anything more.

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